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Parents need to know that Black Widow is a Marvel superhero action film that takes place after the events of Captain America: Civil War. Scarlett Johansson stars as Natasha Romanoff (otherwise known as Black Widow), a spy who worked for the KGB from birth until the dissolution of the U.S.S.R., eventually becoming an Avenger alongside her fellow superhero heavyweights. In Black Widow, she reconnects with her estranged sister-figure (Florence Pugh) and grapples with her past while being pursued by a new deadly enemy. Expect plenty of action and violence, and there may be strong language, too.
Scarlett Johansson readies for battle the way a veteran doctor scrubs in for surgery or an astronaut gears up for her eighth space flight. Hair drawn back in a tidy braid, she barely glances down at Natasha Romanoff’s familiar black catsuit as she buckles every buckle and zips every zipper with rhythmic efficiency. Squeezed into a closet-size armory on a Manhattan Beach soundstage, Johansson’s assassin-turned-Avenger is surrounded by all the guns, knives, and glossy wigs a superspy could ever need. She moves like she’s been doing this for a decade — because she has.
But this is something new: There’s no Captain America or Hawkeye to assist her, no S.H.I.E.L.D. backup waiting out of sight. This is Black Widow’s long-awaited solo movie, set in the turmoil between the all-star superhero team’s breakup in 2016’s Captain America: Civil War and their reunion in 2018’s Avengers: Infinity War. The mission she’s prepping for is personal, as the former Russian agent is going up against opponents from her past. When a fellow Widow, Rachel Weisz’s Melina, wonders how they’ll tackle one particularly formidable foe, Natasha replies, “Just get me close to him.” It’s not an arrogant quip or a self-congratulatory boast, just a matter-of-fact threat from a spy who is very, very good at her job.
Then, just as Johansson pulls on her last glove with a satisfying snap…darkness. The studio has lost power; in the dark, someone calls out for flashlights. After a quick investigation, the production crew discovers the blackout is not the work of a diabolical supervillain but a blown transformer nearby. Natasha’s mission will have to wait a little while longer — but that’s all right. Black Widow knows how to wait.
When Johansson made her debut as Black Widow in 2010’s Iron Man 2, the then-nascent Marvel Cinematic Universe was more like a small galaxy. Today, it stands as the most profitable film franchise of all time, a sprawling, 20-plus-film juggernaut that’s demolished box office records and turned obscure comic characters into marquee names. Among them is Romanoff, the scarlet-haired superspy without superpowers.
Johansson’s portrayal became an immediate fan favorite, thanks to her sarcasm and general penchant for ass-kicking, plus her dramatic evolution — she goes from playing Tony Stark’s undercover personal assistant to Avengers founding member to savior of the universe.
Now, after 10 years and seven movies, this spider is finally playing solitaire. Cate Shortland directs the Black Widow stand-alone film (out May 1), a prequel that follows Nat before — spoiler alert! — she sacrificed herself to thwart Thanos in last year’s Avengers: Endgame. The Natasha we’ve known has usually preferred to look ahead instead of behind: First trained to be a killer as a young girl in the secret Soviet Red Room program, she worked as an assassin and KGB agent on some less-than-heroic missions. She’s since devoted her life to more virtuous pursuits, whether that’s foiling alien invasions (several times) or teaching Hulk self-care. Now she’s forced to reexamine her history — and past trauma — when she’s drawn into a Red Room-related conspiracy. “I thought it was interesting to explore this part of her life before she rejoins the Avengers, before she makes that ultimate sacrifice,” Johansson, 35, explains. “How does she become this full person from all these broken pieces?”
Johansson — a recent double Oscar nominee for Jojo Rabbit and Marriage Story — says she and Marvel Studios president Kevin Feige first discussed a potential solo film during the press tour for 2012’s The Avengers, as just “a tiny speck of an idea.” As fellow Avengers like Thor and Captain America got stand-alone sequels and threequels, Natasha continued to evolve within the main MCU story line until her death in Endgame, a noble finale for a character who dedicated her hero career to trying to right past wrongs. “We had been planning the conclusion for the Infinity Saga for the past five or six years, and Natasha’s journey within those films took the priority,” Feige explains. “The notion of breaking out for a stand-alone film that takes place in the past, for a character that we already knew and were already following, didn’t feel right.”
Even as journalists and fans repeatedly asked Johansson when Black Widow would be going solo, the actress was privately unsure whether that was something she even wanted. “I was like, I think I’m good,” Johansson admits. “If we [were] going to do this, it had to be creatively fulfilling. I’ve been working for such a long time, and I have to feel like I’m challenged. I don’t want to do the same thing that I’d already done before.”
What changed her mind was a meeting with Shortland, an Australian director known for her introspective, female-fronted indies like 2004’s Somersault. “We just bonded over stories about trust and about intimacy and about women surviving,” Shortland says of that initial chat. “You didn’t have to be a superhero to identify with a woman who has had a really tough childhood and has survived and has a huge heart and helps other people.” Shortland — the first solo female director in the MCU’s history — hadn’t planned to pivot to superhero movies, but she was intrigued by Black Widow’s resilience (and lack of superpowers). Says Weisz, 50: “Even though this is a fantastical universe, the way Cate directs, I think it’s quite real.”
“When I looked at the past films, there’s a lot of sitting outside of the character, so that she is seen and kind of objectified,” Shortland adds. “Oftentimes we don’t really get to see who she is when she’s by herself — who she is when she takes off the action-hero facade.”
Directed by: Cate Shortland
Produced by: Kevin Feige
Screenplay by: Eric Pearson
Story by: Jac Schaeffer Ned Benson
Based on: Black Widow by Stan Lee Don Rico Don Heck
Starring: Scarlett Johansson Florence Pugh David Harbour O-T Fagbenle William Hurt Ray Winstone Rachel Weisz
Music by: Lorne Balfe
Cinematography: Gabriel Beristain
Edited by: Leigh Folsom Boyd Matthew Schmidt
Production company: Marvel Studios
Distributed by: Walt Disney Studios Motion Pictures
(United States) Country: United States
